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Writing and Publishing

Should You Form a Book Publishing Co-op to Produce Your Next Book?

Last week we acknowledged no one has all the skills required to self-publish a book. The only solution is to pay a team of people to handle the critical tasks of book publishing. This includes cover design, editing, interior layout, photography, and so on.

Or is there another way?

Although it would take great effort, you might be able to put together a consortium of book writers. They can pool their collective talents to work as a team to produce each other’s books, with each author tapping his or her skillset for everyone else’s books. You could put together your own self-publishing co-op.

What a Book Publishing Co-op Might Look Like

Let’s say you’re an editing ace, but are lousy with a camera and don’t have a clue about graphic design or interior layout. Find an author who is also a professional photographer and another who does interior book layouts for a living. Then locate a fourth writer who does book covers for their day job. You edit their books and they contribute their individual expertise to yours. Of course, a fifth author is helpful.

This is someone who stays current with publishing options. They can serve as the logistical guru to keep abreast of production and distribution options. Then bring others into the group to handle other details, such as promotion, marketing, publicity, legal, and so forth.

Finding these people would be a challenge. But the Internet and social media make it feasible, providing you have the time and patience to find the right people.

Though I’m not aware of anyone who’s formed a book publishing co-op, I’m sure there are already people doing this in concept. If you have a book publishing skill to offer, maybe a book publishing co-op is an option worth considering if you want to self-publish but have no money to do so.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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Writing and Publishing

Remove Self From Self-Publishing: Assemble a Team

Self-publishing is a misnomer or at least successful self-publishing is. A better label might be team publishing. That is, when we self-publish, we must not do it all ourselves (though we can, we shouldn’t) but instead assemble a team, a self-publishing team.

Here are the players for our self-publishing team:

Author, the Self-Publishing Team Captain

The author (us) needs to write the best possible book: not a good one, not good enough, but the best. Then look for ways to make it better. We are the captain of our self-publishing team.

Beta Readers

Once the book is as good as it can be, tap others to preview it, but only ask those who will give honest feedback. People who won’t say what’s wrong, weak, or not working aren’t helpful and give a false sense of excellence.

Editor

Many people recommend three levels of editing or even four. I look for two and to avoid confusing industry labels, I use generic ones. First is macro-editing, which looks at the big picture: What should you add, delete, or move? Does the piece flow? How can it be improved? What writing idiosyncrasies do you need to correct?

Then, after addressing all the comments from the macro-editor, a different person needs to do the micro-editing, which addresses the details of the writing: proofreading, typos, word selection, grammar, and punctuation. Select experienced professionals for both these editors’ positions. Don’t go cheap by asking a friend who majored in English or someone who likes to read.

Cover Designer

Hire a cover designer to make an eye-catching, powerful cover. Potential buyers judge books by their cover, often in less than a second. We have one chance to catch their attention, so don’t skimp on making the most of this opportunity.

Interior Designer

The layout of the book must follow standard expectations. No one notices when a book is laid out according to industry conventions, but everyone can tell something’s wrong when it’s not. Pay someone to do this right.

Add these key players to build a successful self-publishing team. In addition, we need help with marketing, promotion, and distribution. It’s also important to engage fans as part of the book launch.

Taking a team approach to self-publishing greatly increases the chances of success.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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Writing and Publishing

Don’t Believe Everything You Hear about Book Publishing

Several years ago, I received a telemarketing call from a well-known self-publishing operation, a division of a well-known traditional publisher.  She wanted to talk about book publishing.

Although unwelcomed, the interruption didn’t surprise me, because a few years ago I had contacted them. Their business model intrigued me, but I dismissed them when I stumbled on a poorly produced book with their imprint inside.

At the time I was pursuing a traditional publishing deal and told the rep so. Not deterred, she keyed in on my excuse, telling me why my book publishing strategy was wrong. She spewed forth a well-honed tutorial of why I needed to self-publish my books first. I won’t claim she lied to me, but mixed in with the truth were some half-truths and over-simplifications.

Here’s what she said:

  • It’s harder than ever to land a traditional publishing contract. (True)
  • Traditional publishers won’t even look at your book, but they will instead rely on a one-page query. (Over-simplification: If your query grabs their attention, they’ll ask for a proposal, which could lead to them looking at your book. But most likely they’ll only consider your query letter.)
  • Traditional publishers want you to self-publish first. (Half-truth: If your self-pub book is a breakaway hit, then you’re in a great position to sign a book deal. If you have a well-written, carefully edited, and appropriately laid out self-pub book, they’ll have less work to do should they decide to publish it—but they may also wonder if you’ve already made all the sales you’re going to make.)
  • She guaranteed their parent company would look at my book if I self-pub with them. (Over-simplification: What they will likely look at is sales numbers of my book, not the book itself. Once a certain threshold is reached then someone may actually look at my writing, but not until then. Of course, I’m speculating on this, but it’s not practical for them to give every self-pub book full consideration.)

The book publishing industry changes continually and fast. What was true last month may not hold true next month. We must be in a continual learning mode, but as we consider new information, we must exercise discernment, because we can’t believe everything we hear.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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Writing and Publishing

What Movies Teach Us About Book Publishing

I read a lot of book reviews and even more movie reviews. Setting aside the critiques that are not really reviews—attacks on persons or perspective—the resulting (real) reviews are insightful for the book or movie in question but also in better understanding their respective industries.

I’ve noticed a difference between movie reviews and book reviews. In movie reviews, it’s common for reviewers to address issues such as quality and budget. Phrases like “big budget” and “b-movie” or “hastily produced” and “carefully crafted” come to mind. Even saying “star-studded,” “foreign film,” or “cult classic” carry implications about quality and budget.

Sometimes, the marketing of the movie makes its way into a review. Some movies have flopped, not because the movie was bad but because of its marketing. Movie reviewers note these things.

Book Reviews

I don’t often see these concepts repeated in book reviews. Yet with the ease and growth of self-publishing and the streamlining (think cost-cutting measures) of traditional publishing, issues of quality and budget loom as greater considerations for reviewers and consumers alike.

These considerations will inevitably make their way into book reviews, with reviewers commenting on more than the words, but also the editing, the layout, the printing, the marketing, and a host of other ancillary issues.

When I review a movie that has production issues, I feel an obligation to point that out, lest readers are disappointed and feel I led them astray. I’m now realizing I have this same obligation with book reviews. No longer can I only focus on the words, but I must also consider the total package.

The changing book publishing industry has put us in this situation. We can choose to lament it or acknowledge it. Regardless, we must be aware of it.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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News

Update from the Book Blog

The Book Blog” Merges with “Byline” to Cover the Art of Writing and the Business of Publishing

All key posts from The Book Blog have been successfully integrated into my writing blog, Byline.

The scope of Byline has been appropriately expanded to now cover “the art of writing and the business of book publishing.”

New content about writing and publishing is added to Byline each week. Please check out my latest posts. And while you’re there, leave your email address in the sidebar on the right to receive an email each time a new post goes live.

Thank you for reading The Book Blog. I look forward to seeing you at it’s new home.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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Writing and Publishing

What’s the Difference Between Self-Publishing and Indie-Publishing?

Publishing labels are important and using them properly is critical

I often use the terms of self-publishing and indie-publishing interchangeably. I shouldn’t.

They mean different things. So what’s the difference?

That’s a great question. I turned to my friend Google to investigate. It turns out Google doesn’t know. It simply confirmed a lack of consensus. Here are the findings of my research:

  • Self-publishing and indie-publishing are not the same things. However, the difference is a matter of perspective.
  • Self-publishing and indie-publishing both emerge as alternatives to traditional publishing. And we need those alternatives.
  • Self-publishing may be a subset of indie-publishing.
  • The difference between self-publishing and indie-publishing may boil down to attitude.

Here are my thoughts on the matter.

Self-Publishing

  • Self-publishing finds its roots in vanity publishing, a pay-to-be-published model. (Though four years ago I asserted that attitudes have changed and traditional publishing is the new vanity publishing, offering a stamp of validation that I, for one, want.)
  • Self-publishing is all about art, and making money from art isn’t the point—or so they say.
  • The motivation of self-publishing is making books available to the public.
  • The hardcore self-publisher does everything, from the cover design to editing, to interior layout, to marketing. Unfortunately, it shows in the final product. And for that reason,I hate reading self-published books.
  • Self-publishing finds its place with the writing hobbyist.

Indie-Publishing

  • Indie-publishing finds its roots in the entrepreneurial spirit.
  • Indie-publication is a for-profit endeavor with a clear objective to monetize the value of books as a business.
  • The motivation of indie-publishing is profit from the art of books.
  • The indie publisher assembles a team, tapping others to assist with the publishing process, from cover design to editing, to interior layout, to marketing.
  • Indie-publishing finds its place with the writing professional.

From all this, I realize that when I say I plan to self-publish some of my books, I really mean indie-publishing. Though I view my writing as art, I also see the results as a business opportunity. And I’ve been an entrepreneur longer than I’ve been a writer—though not by much.

Yes, I still have a goal to traditionally publish some books. I also plan to indie-publish other books. Together they will help me to one day make a living writing full time.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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Writing and Publishing

Should You Go with a Traditional Publisher or Self-Publish?

Be open-minded about the options available for book publishing and then pick the best one

My goal as an author has always been to be a hybrid author, one who self-publishes some books and goes with a traditional publisher for others. What changes over time, however, is the emphasis I place on one over the other. On this, I waffle frequently. Some days I favor the allure of being traditionally published and on others, I lean toward self-publishing.

Though I embrace both as viable options, many people do not. It seems that many writers view one of these two options as the only choice for rational people, while outright dismissing the other for those uninformed. The problem is that some land squarely in the camp of traditional publishing as the only way to go, while others adamantly pursue self-publishing as the only sane choice.

I understand both perspectives.

What I don’t understand are people who are so obstinate toward their point of view and so biased against the alternative. They need to open their eyes: both traditional publishing and self-publishing have their pluses and minuses. Consider them, evaluate them, and then go with what seems best for your particular book at this particular time.

That’s my plan.

Here’s why:

Traditional Publishing: Traditional publishing pays authors to be published. But getting a traditional publishing deal is hard. In most cases, we need an agent first, which takes time. Then our agent needs to find a publisher to publish our book, which takes more time. Then our book goes into their publishing machine for edits, marketing, production, and so forth, which takes even more time. It often takes several years from writing a book to having a traditional publisher make it available to the public—assuming it happens at all.

Once we land a book deal, assuming we can, traditional publishers do most of the work and take all of the financial risks. Yes, they still want us to help market our book, but they do everything else—as we lose most of our control over the product and the outcome.

However, once the only real option for authors, technology has provided a viable alternative: self-publishing.

Self-Publishing: With self-publishing the author becomes a businessperson, investing money into a product in hopes of turning a profit. Success isn’t guaranteed, but the benefits are many. The author maintains control over the product, can get it to market fast, and will make much more per book. There are no gatekeepers to stand in our way, no one judging the size of our platform, and no one turning our baby into something we don’t like. 

Self-publishing was once decried as vanity publishing, but now I actually see traditional publishing as the new vanity publishing. Being traditionally published implies a stamp of approval. It says we’ve been accepted, our work has gained approval, and we have jumped high hurdles. This strokes our ego.

I get that. I want that.

Yet the very things that make us attractive to traditional publishers—a stellar book and a huge platform to promote it—are also the very things that make us an ideal fit for self-publishing, where we control the product, take a risk, and make a profit.

I get that, too. I want that.

My leanings, one way or the other, change often. What I do know is that I want to publish books, and I’m taking a hybrid approach to get there.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

Categories
Writing and Publishing

Recommended Podcasts for Writers and Content Producers

Podcasts Provide Practical on-the-go Instruction

I listen to many podcasts, between ten to fifteen hours a week, that cover writing or publishing. I listen in the car, during lunch, on walks and as I work around home. I access all through iTunes and listen on my iPod.

I select podcasts to help me become a better writer and indie-published author. With so much content to listen to, I don’t want to waste my time.

Here is a list of my current podcasts. They are in approximate order of how long I’ve listened to them.

Though I don’t listen to every episode of every podcast, I do listen to most of them. And I never skip a single one of my favorites.

This list is long and, no doubt, daunting. Don’t let it overwhelm you. Pick one to check out and go from there.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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Writing and Publishing

Do You Suffer From Marketing Inadequacy?

The success some authors have in marketing their books can overwhelm writers or even cause them to give up

Last week we talked about how to deal with writer envy, of how to avoid having the abilities of other writers overwhelm us. While the threat of writer envy does assault me from time to time, I’ve mostly come to peace with my writing ability. I know I am good and am getting better. I may never be really great, but I’m okay with that – most of the time.

However, the flip side of writing ability is marketing proficiency. I must admit that I sorely struggle with my lack of promotional prowess. I’ve taken classes (even at the graduate level) and understand the theory. I know what to do, yet my gut churns when it comes to implementation. Too often it feels smarmy. Yet when I press through, I do well, but too often, I don’t bother to push myself to act.

I see other authors who successfully promote their books into the stratosphere of success, book after book. Their results devastate me—especially when the book isn’t well written. The sad reality is that a marketing maven doesn’t need to write a good book to make a lot of money. They just need to excel at marketing. I am envious.

So if we’re not good at book marketing, don’t want to do it, or even feel it is beneath the art, what are we to do?

Give Up: We could just forget our passion to write, our dream to create art, and move on to a less frustrating, more profitable career. Yet would that make us truly happy? Or would an unsatiated compulsion to write roil in our souls? I think we all know the answer.

Ghostwrite: Writing for others as a ghostwriter, writer for hire, or collaborator allows us to write—and earn money—without the need to market. I like this. I do this. Yet I also want to see my name on the cover. True ghostwriting assignments don’t provide that option.

Write But Don’t Market: This is a built-it-and-they-will-come mentality. We focus on the art of writing and forget about the business of writing. In rare instances, it works. Usually not. Don’t pin your hopes on this strategy.

Outsource Marketing: I’d love to hire someone to do all my marketing for me. It would be so freeing. Yet two questions nag at me: Would it be cost-effective? (likely not), and would they produce acceptable results? (doubtful).

Press Through: Every job has fun aspects that we like and other chores that are, well, chores. We must slog through the difficult toils to resume the joys of creation.

I’ve considered each of these five responses. I often vacillate between them. Though I seldom consider quitting any more, the other four considerations pop up each week. I don’t have an answer, but as I try to figure one out, I will continue to write.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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Writing and Publishing

A Salute to Print Books

On The Media discusses books in their March 11 podcast

The March 11 episode of On The Media, titled “Print is Back, Back Again” shares an array of interesting segments on books. It’s too good not to share.

Here are the topics covered:

These segments give those who read books and write books and publish books things to celebrate, things to make us smile, and things to shake our heads over. Yet put together they salute books, book writing, and book publishing. Long live printed books.

You can listen to the entire show or select specific topics using the above links. (It is also available through iTunes.)

If you love books, you’ll love this episode of On The Media.

Learn more about writing and publishing in Peter’s book: Successful Author FAQs: Discover the Art of Writing, the Business of Publishing, and the Joy of Wielding Words. Get your copy today.

Peter Lyle DeHaan is an author, blogger, and publisher with over 30 years of writing and publishing experience. Check out his book Successful Author FAQs for insider tips and insights.

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