Be open-minded about the options available for book publishing and then pick the best one
My goal as an author has always been to be a hybrid author, one who self-publishes some books and goes with a traditional publisher for others. What changes over time, however, is the emphasis I place on one over the other. On this, I waffle frequently. Some days I favor the allure of being traditionally published and on others, I lean toward self-publishing.
Though I embrace both as viable options, many people do not. It seems that many writers view one of these two options as the only choice for rational people, while outright dismissing the other for those uninformed. The problem is that some land squarely in the camp of traditional publishing as the only way to go, while others adamantly pursue self-publishing as the only sane choice.
I understand both perspectives.
What I don’t understand are people who are so obstinate toward their point of view and so biased against the alternative. They need to open their eyes: both traditional publishing and self-publishing have their pluses and minuses. Consider them, evaluate them, and then go with what seems best for your particular book at this particular time.
That’s my plan.
Traditional Publishing: Traditional publishing pays authors to be published. But getting a traditional publishing deal is hard. In most cases, we need an agent first, which takes time. Then our agent needs to find a publisher to publish our book, which takes more time. Then our book goes into their publishing machine for edits, marketing, production, and so forth, which takes even more time. It often takes several years from writing a book to having a traditional publisher make it available to the public—assuming it happens at all.
Once we land a book deal, assuming we can, traditional publishers do most of the work and take all of the financial risks. Yes, they still want us to help market our book, but they do everything else—as we lose most of our control over the product and the outcome.
However, once the only real option for authors, technology has provided a viable alternative: self-publishing.
Self-Publishing: With self-publishing the author becomes a businessperson, investing money into a product in hopes of turning a profit. Success isn’t guaranteed, but the benefits are many. The author maintains control over the product, can get it to market fast, and will make much more per book. There are no gatekeepers to stand in our way, no one judging the size of our platform, and no one turning our baby into something we don’t like.
Self-publishing was once decried as vanity publishing, but now I actually see traditional publishing as the new vanity publishing. Being traditionally published implies a stamp of approval. It says we’ve been accepted, our work has gained approval, and we have jumped high hurdles. This strokes our ego.
I get that. I want that.
Yet the very things that make us attractive to traditional publishers—a stellar book and a huge platform to promote it—are also the very things that make us an ideal fit for self-publishing, where we control the product, take a risk, and make a profit.
I get that, too. I want that.
My leanings, one way or the other, change often. What I do know is that I want to publish books, and I’m taking a hybrid approach to get there.