When you want to advance as an author, the cost-effective solution is to hire outside help
Tip #7 in my post “10 Tips to Improve as a Writer” is to not be afraid to pay for help. As a financially frugal person, this was a hard lesson for me to learn. When I entered the publishing industry in 2001, by purchasing Connections Magazine from its founder, I approached my new business with entrepreneurial zeal and no publishing knowledge.
One of the first things I did was pay an established industry consultant to point me in the right direction. At $200 an hour, I had to make every minute count. Though expensive, his advice was golden, helping me to avoid costly errors and dodge common traps. It was one of the best investments I could have made.
To save money, though, I did all the editing myself. This was a mistake. Every issue had errors. In one column I lauded my designer as a “creative genesis” instead of a “creative genius.” Another time I contrasted a shotgun to a riffle, not a rifle. Readers who knew me would laugh at my errors. To ease my embarrassment I hired an editor to do proofreading and copyediting. Though I still do all the substantive edits (macro editing, as I call it), I defer the minutia of details to someone who is able to pick out typos and knows grammar and punctuation.
Though I’ve learned much in this area and now do my own proofreading for online content, I would never print something without the seasoned eye of a professional proofreader first reviewing each word and scrutinizing every sentence.
I have also paid people to provide an assessment of some of my books. Sometimes this is to point out a weakness in the work or identify writing habits I need to correct. Other times the goal is simply to answer the question, “Is this work viable?” and if not, “What do I need to do to fix it?”
Most recently I hired a former college writing professor to provide feedback on my fiction work, starting with short stories. With ease and confidence, he answers questions that have perplexed me and caused my writing peers to equivocate. He confirms what I do well and shows where I can improve. His tutelage is invaluable.
Whenever I hire someone to help me with my writing, I view it as designing my own, personal writing course, one to provide direct, tangible assistance in the area where I need it most. This saves me from the trial-and-error discovery of what works and what doesn’t. This keeps me from wasting time and helps me to get better faster.
Yes, nothing can replace the lessons learned when we just sit down and write, but seeking professional help when we need it, makes our time spent writing less frustrating and so much more effective.